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Welcome to ArtsTalk Magazine Holland

Launched in June 2017, we are the sister publication of StageTalk Magazine in the UK and provide previews, reviews and information, in English, for theatres, art exhibitions, concerts, opera etc, concentrating on cities in south west Netherlands (Noord/Zuid Holland and Utrecht regions). Each venue, museum or gallery has its own page with information and a link to its website. The site is updated regularly and information is always coming in so there is always something new to discover or read about.

If you are promoting any events, please let us know and we’ll probably be able to list them.

Please subscribe to ArtsTalk Magazine using the box below and follow us on social media using the links below so you are always up to date with the arts in Holland.

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NOT ONLY, BUT ALSO. . .

Here’s a run down of some other events coming up in the next few weeks in Amsterdam, The Hague, Rotterdam and places nearby and in between, as well as relevant snippets of news and other bits and pieces that may be of interest – a sort of potpourri of Dutch arts and culture . . .

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EXTRACURRICULAR

ART AS DATA ACTIVISM

Data is part of our everyday lives. Indeed, its presence is so ubiquitous that those in the know now speak of datafication. This refers to the transformation of every aspect of our lives into data points that will be processed to make predictions about our lives and behaviour. The Orwellian nature of such processes is…

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Subscribe to ArtsTalk Magazine and receive notifications by email every time a new preview, review or article is published. No cost, no obligation and you can unsubscribe at any time.

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Michael Hasted talks to violinist LIZA FERSCHTMAN outgoing director of the Delft Chamber Music Festival and to Delft’s Deputy Mayor BAS VOLLEBREGT on the planned developments at Prinsenhof. There is also a song from Canadian artist RONLEY TEPER. Photo by and © Ronald Knapp

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BOOKS & LITERARY EVENTS

Niall Ferguson’s DOOM The Politics of Catastrophe at The John Adams Institute

Disasters have a political dimension, this is one of the central claims of Niall Ferguson’s new book. An Oxford trained historian, public intellectual, writer and award-winning documentary creator . . . .

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