18th February – 14th March. Young female dance makers alongside well-known ‘Dutch Masters’ Zoë Greten and Milena Sidorova are both…
Read more26th February – 9th June. An absurdist satire and a search for hope in dark times. Origin is made by three emerging…
Read more19th February – 2nd April. After the success of Closed Eyes, theatre maker and choreographer Alida Dors is creating a new…
Read more1st March. A charity event for Ukraine. Ukrainian choreographers and performers Vladyslav Detiuchenko and Veronika Rakitina are organising a second…
Read more7th February – 29th March. Simon McBurney, Artistic Director of Complicité, and NDT associate choreographer Crystal Pite are creating a triptych together.…
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Fenix is the world’s first art museum about migration. It is housed in a restored monumental warehouse from 1923 that stands on the quays of departure and arrival in the city of Rotterdam. At this location, Fenix gives space to more than a hundred artists, originating from all continents.
The embellishment of the new Paris is depicted by the modern painters, the ones we now call impressionists. It was Claude Monet who, in 1867, placed his canvas facing the modern city when he asked permission to paint from a balcony of the Louvre.
Jewels remains a timeless and unique masterpiece—an exquisite fusion of movement, music, and design. Het Nationale Ballet’s performance brought this masterpiece to life with remarkable precision and artistry, reaffirming its brilliance. It proved once again that great ballet, like great jewels, never loses its shine.
The story is pure farce. A rich Viennese gentleman is planning a lavish soirée and has invited two different opera companies to provide the entertainment – one comedy, the other the serious Ariadne auf Naxos. The dinner is running late so there is not time for both and it is decided that the two should be combined.
To celebrate the 80th anniversary of the end of WWII the iconic Mauritshuis in The Hague has just unveiled a new exhibition spanning the years of the German occupation from 1940-1944.
This art piece by is an installation consisting of a video artwork that is 43 minutes in length, framed by an organically-shaped scenography created in collaboration with fellow artist Théo Demans.
After sixteen amazing years, Maya Roest is saying goodbye to Scapino Ballet Rotterdam. From joining the company at just 20 years old to dancing with many renowned choreographers and performing across the globe, Maya’s journey at Scapino has been nothing short of remarkable.
Having recently watched another dance-theatre piece featuring a topless male figure with an animal headdress, I believed I had an idea of what to anticipate while simultaneously keeping an open mind. However, this interactive, intimate, and bold performance was a truly unexpected delight.
