ArtsTalk Colour Supplement

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ArtsTalk Colour Supplement is getting bigger every issue. This month we have forty-two pages covering the visual arts, theatre, dance and opera.

We have in depth, exclusive interviews with Mischa van Leeuwen, principle dancer at Scapino Ballet and with Ramon Schalkx who is exhibiting his sculptures at the Toren Hotel in Amsterdam.

OperaZuid is on tour with Orphée aux Enfers as is the Cello Octet Amsterdam with their Beatles’ tribute, Sgt. Pepper’s Lonely Cello Band.

We cover the Holland Festival in Amsterdam, the CaDance Festival in The Hague and the Delft Fringe Festival.  In the museums we saw Van Gogh in Auvers at the Van Gogh Museum and Felipe Pantone at Kunsthal in Rotterdam.

Eva Lakeman has a piece about how Dutch paintings have influenced writers and we mark Boom Chicago’s 30th anniversary.

All this, and more, in the June edition of ArtsTalk Colour Supplement . . .

Cover is of OperaZuid’s ORPHÉE AUX ENFERS. Photo by Joost MILDE



May 2023

Choosing Van Gogh

Delft Fringe Festival

De Suz van Frida Kahlo


Scapino Ballet

plus lots more . . .

April 2023

Jacobus Vrel at Mauritshuis

Patricia Piccinni at Kunsthal

New European Ensemble

Delft Royal Dutch Yeast Factory

Visceral Acts

and much more . . .

March 2023

Lots of Vermeer

The Depot in Rotterdam

NDT1’s In the Dutch Mountains

Opera2Day’s new Don Quixote opera

Prospects at Art Rotterdam

February 2023

Suze Robertson in The Hague

Gustav Klimt in Amsterdam

Jonathan Nagel in Amsterdam

Nicole Beutler Projects

Pinsenhof in Delft and much more . . .

January 2023

Balenciaga at Kunstmuseum in The Hague

Amalia at Museum Prinsenhof in Delft

Kate’s Cafe at Museum Rijswijk

Orange Theatre’s A Christmas Carol

and lots more besides . . .

December 2022

Wonderful Things at Kunsthal, Rotterdam

Pillows Maurits at the Park Hotel in Amsterdam

Marina Abramovic

Amsterdam Light Festival

and lots more . . .

November 2022

Scapino Ballet’s Casablanca

Westfries Museum in Hoorn

True Life by Kalpanarts

Greg Shapiro

NDT’s Now Here, Now Always

and much, much more . . .